Some others (M. Kemal Küçük – 1920, Emin Beliğ Belli – 1920, Mahmut Moralı – 1923) theater studies began in various communities, and later involved in Darülbedayi.

They were young Turkish girls named Behire, Memduha, Beyza, Refika and Afife.

[3] After Antoine went, Reşad Rıdvan organized an opening ceremony (November 1914) not to be forgotten of Darülbedayi project.

[4] Darülbedayi started the stage life with Çürük Temel play, whom Hüseyin Suat had adapted from French writer Émile Fabre.

The first plays have been staged at the wooden building in Tepebaşı, built by Rıdvan Paşa in 1890; Then the Ferah Theater and others in Şehzadebaşı were used.

Shortly after this representation, Darülbedayi, who fell into trouble with money, closed the music section on 14 March 1916.

In the meantime, the school section, which was closed economic reasons, started to work again and moved to a house in Hamalbaşı (Beyoğlu) from Letafet Apartment in Şehzadebaşı.

The most important ones are the National Stage communities, established by Muhsin Ertuğrul in Şehzadebaşı Ferah Sahnesi, founded by Raşit Rıza at the Aleppo Bazaar Variety Theater and organized by Fikret Şadi in Anatolian Tours.

Muhsin Ertuğrul was chosen as the art director, who returned to his homeland after studying theater at Soviet Union.

In the beginning, Muhsin Ertuğrul, who was at the head of the theater, went on a campaign to increase the number of spectators and representatives for each play.

One of the reasons that accelerate this success is to play operettas, a new art scene in Tepebaşı Sahnesi.

In addition to classics such as Molière, Goldoni, Schiller, as well as contemporary writers from Pirandello, Chekhov, Bernard Shaw, Dostoevsky, Tolstoy, Ibsen, Gorky, many works of the western world were being publicly displayed.

The Tepebaşı Theater, which has a historical value, had been closed to representations shortly before burning (1970) because it could not carry the burden of spectators due to it was wore off.

In the 1945–46 season, Edmond Rostand's Cyrano de Bergerac was the first translation play to reach 105 representations.

In addition, by inviting foreign directors and theater men, they bring the plays and put on the stage for the Turkish audience.

The City Theaters, which has the ten stage of today (2017), opens the curtains for the around 2000 audience every day in Istanbul.

Some of the valuable theatricians who have undertaken the duty of General Art Director of Istanbul City Theater since its establishment are: Muhsin Ertuğrul, Vasfi Rıza Zobu, Gencay Gürün, Erol Keskin, Kenan Işık, Şükrü Türen, Nurullah Tuncer, Mazlum Kiper, Orhan Alkaya, Ayşenil Şamlıoğlu.

Finally, Erhan Yazıcıoğlu was appointed as General Art Director of City Theater in 2014.

In addition, Cemil Topuzlu Open-Air Theatre with 3.996 seats serves national and international events during the summer season.

Also in 2008, the Harbiye Muhsin Ertuğrul Stage was demolished to be rebuilt and in 2010 the gates of the new building were opened again to the audience.