[2] Itty Bitty Titty Committee had its world premiere at the film festival Berlinale on February 9, 2007, where it was nominated for a Teddy Award for Best Feature.

Courtney works with a more mainstream feminist organization and disagrees with the C(i)A's method of creating awareness through public art, which usually involves vandalism.

Anna attends her sister's wedding, bringing joy to her family, but leaves early to execute her part of the plan – sneaking into the studio of a popular talk show with Aggie and Meat.

Courtney is appearing on the show to argue about the appropriateness of a celebration over the (arbitrary) anniversary of the construction of the Washington Monument, which she feels is a distraction from real issues.

Through text in the epilogue, it is revealed that Shulamith and Calvin volunteered to take the fall for the explosion, and received a reduced sentence because no one was hurt.

The character of Anna was originally intended to be a Jewish girl named Hannah, but this was changed after Melonie Diaz was cast in the role.

[2] Director Jamie Babbit's original choice for the role of trans man Aggie was JD Samson of Le Tigre.

"[11] Karman Kregloe of AfterEllen praised the casting and wrote, "It's a pleasure to watch Anna's transition from average 18-year-old kid to the CIA's spunky new brainchild.

"[3] Kregloe added, "It's wonderful to see a film about radical feminism that isn't afraid to poke fun at its characters...The overall tone is quite affectionate, and it feels almost memoir-like in its earnestness and honesty.

[3][12] In a three-star review, critic Rich Cline wrote, "The themes roaring around inside this film are intriguing and important, and they keep us gripped even when the plot and characters drift.

Western culture's deeply ingrained masculinity is highlighted cleverly in the script, with telling dialog and vivid, lively characters.

"[13] TV Guide opined, "Babbit's film is clearly designed to raise the consciousnesses of restless, stylish young women who feel no connection to either traditional feminism or mainstream lesbian lifestyles.

But the film's sense of humor is juvenile and C(i)A's satirical jabs at ingrained cultural misogyny are embarrassingly obvious...it's hard to imagine that anyone who isn't already onboard with its sentiments are going to hear the call.