Austin, in providing his theory of speech acts, makes a significant challenge to the philosophy of language, far beyond merely elucidating a class of morphological sentence forms that function to do what they name.
These contemporary influences shaped their views about general philosophical questions on the basis of careful attention to the more specific judgements we make.
According to Guy Longworth writing in The Stanford Encyclopedia of Philosophy: "It's plausible that some aspects of Austin's distinctive approach to philosophical questions derived from his engagement with" Moore, Wilson, and Prichard.
[9] During World War II Austin joined the military in July 1940, and married his student Jean Coutts in spring 1941.
[8] Austin left the army with the rank of lieutenant colonel and was honoured for his intelligence work with an OBE (Officer of the Order of the British Empire), the French Croix de Guerre, and the U.S.
[7][3][10] After the war Austin became White's Professor of Moral Philosophy at Oxford, as a Professorial Fellow of Corpus Christi College.
Publishing little, his influence would largely make itself felt through his teaching in lectures and tutorials and, especially, his famous 'Saturday morning meetings'.
[14] Before he could decide whether to accept an offer to move to Berkeley, Austin died on 8 February 1960 at the age of 48, shortly after being diagnosed with lung cancer.
[16][7] At the time of his death, he was developing a semantic theory based on sound symbolism, using the English gl-words as data.
Other examples include "I take this man as my lawfully wedded husband" (used in the course of a marriage ceremony), or "I bequeath this watch to my brother" (as occurring in a will).
After numerous attempts to find more characteristics of performatives, and after having met with many difficulties, Austin makes what he calls a "fresh start", in which he considers "more generally the senses in which to say something may be to do something, or in saying something we do something".
In the posthumously published Sense and Sensibilia (the title is Austin's own, and wittily echoes the title of Sense and Sensibility, Jane Austen's first book, just as his name echoes hers),[25] Austin criticizes the claims put forward by A. J. Ayer's The Foundations of Empirical Knowledge (1940), and to a lesser extent, H. H. Price's Perception (1932) and G. J. Warnock's Berkeley (1953), concerning the sense-data theory.
He states that perceptual variation, which can be attributed to physical causes, does not involve a figurative disconnection between sense and reference, due to an unreasonable separation of parts from the perceived object.
Austin argues that Ayer fails to understand the proper function of such words as "illusion", "delusion", "hallucination", "looks", "appears" and "seems", and uses them instead in a "special way...invented by philosophers.
"[26] According to Austin, normally these words allow us to express reservations about our commitment to the truth of what we are saying, and that the introduction of sense-data adds nothing to our understanding of or ability to talk about what we see.
Chapters 8, 9, and 12 reflect on the problems that language encounters in discussing actions and considering the cases of excuses, accusations, and freedom.
Austin warns us to take care when removing words from their ordinary usage, giving numerous examples of how this can lead to error.
In Other Minds, one of his most highly acclaimed pieces,[30] Austin criticizes the method that philosophers have used since Descartes to analyze and verify statements of the form "That person S feels X."
This method works from the following three assumptions: Although Austin agrees with (2), quipping that "we should be in a pretty predicament if I did", he found (1) to be false and (3) to be therefore unnecessary.
A Plea for Excuses is both a demonstration by example, and a defense of the methods of ordinary language philosophy, which proceeds on the conviction that: "...our common stock of words embodies all the distinctions men have found worth drawing, and the connections they have found worth marking, in the lifetime of many generations: these surely are likely to be more numerous, more sound, since they have stood up to the long test of survival of the fittest, and more subtle, at least in all ordinary and reasonable practical matters, than any that you or I are likely to think up in our armchair of an afternoon—the most favourite alternative method.
This involves taking up a dictionary and finding a selection of terms relating to the key concept, then looking up each of the words in the explanation of their meaning.