He operated and curated the Vector Gallery in New York City, which drew attention and critical response for its avant-garde postmodern multimedia narratives on Abrahamic religions.
[7] The NYC location closed when Brine traveled to Tanna, Vanuatu and opened for a period on Beverly Boulevard in Los Angeles.
[8][9] The press reported Brine's intentions to move Vector from LA to Washington, DC during the American presidential election season.
Inspired by his love for The Velvet Underground & Nico he chose to take residence on St Marks Place in the East Village.
"[31] OracleTalk.com also wrote, "Implementing cool DIY principle and conjuring references to Duchamp’s ready-mades and rollicking religious iconography, the Vector Gallery is a gushing cornucopia of hypnotizing elements, provocative subject matter and lots of mirrors.
[37]" Brine and the ministers of Vector began holding a series religious services as performance art at the gallery on February 1, 2014.
[38][39][40] Brine was sponsored by Select Fair in conjunction with Art Basel Miami Beach 2014 and opened Vector Gallery on site.
Part of the gallery's participation included "Body As Commodity", an installation in which Lena Marquise (Vectorian minister of state), charged cellular devices with her vagina.
Musical artist Usher visited the Vector booth on December 3, 2014, and participated by charging his cell phone inside the installation.
The hosts said that Vector closing its Clinton street location was "almost as important as CBGB's," and that the interview was "the last, and possibly the best" of their decade-long series.
[47][48]In April 2015 Brine announced the NOIR (Night Of Interior Restitution) Covenant, which detailed the means by which souls could be reclaimed and offered "an irreversible decline" to the city of New York.
[8][49] In 2015, Brine was commissioned by clothing retailer Opening Ceremony to provide the space for their tribute to Gregg Araki’s Doom Generation.
[8][52] Vector Gallery opened at 8 pm, August 8, 2015 on Beverly Boulevard in Los Angeles, again generating attention from the art press and controversy and protests from local residents.
[65] Brine referred to his installations as "Shrines" and his exhibits combine performance art and visual narrative and his work has been compared to that of Marcel Duchamp and Andy Warhol.
[citation needed] Although Vector presents itself as "the official art gallery of Satan", the supreme Vectorian deity is identified as ALAN.