Jacob Vrel

[2] The lack of biographical information and challenging visual evidence has led scholars like Elizabeth Honig to call him "the most entirely elusive painter of 17th century Holland.

"[4] Despite the many architectural elements, bread products or clothing of the figures in his paintings, art historians are unable to assign most of Vrel's street scenes to any particular city or region.

[6]: 30 [7] According to the Netherlands Institute for Art History (Dutch RKD-Nederlands Instituut voor Kunstgeschiedenis), Vrel was a member of the same "school" or artistic style as Pieter de Hooch, showing simple intimate scenes of daily life in towns, often including studies in perspective.

[6] At least half of the pictures by Vrel contain signatures altered to read "Johannes Vermeer" or "Pieter de Hooch.

[16] Because of the coronavirus pandemic, the monographic exhibition on Vrel was rescheduled to be shown in 2023 at the Mauritshuis in The Hague,[17][18] and then at the Fondation Custodia in Paris.

Street scene, ca. 1660
Young Woman in an Interior , ca. 1660. National Gallery of Art, Washington.