[2] Fraser's early work involved installations, inside gallery spaces and in outdoor environments, where she used natural and artificial materials which were woven, plaited, stretched and tied into delicate constructions.
[6] On her return she made the site-specific work He Tohu: The New Zealand Room for the opening of City Gallery Wellington in its Civic Square location.
[9] Fraser's installation work, A Demure Portrait of the Artist Strip Searched with 11 Details of Bi-Polar Disorder, is now in the collection of the Museum of New Zealand Te Papa Tongarewa.
[10] Fraser's work of the 1980s and 1990s was often discussed in contemporary art criticism and theory in terms of identity and cultural politics, and for links to her Māori heritage.
[12] These collages are sometimes incorporated into multimedia installations in the gallery spaces, mixed with theatrical lighting, video projections, designer furniture, and cut-out figures, accompanied by soundtracks made from contemporary rap music, including Nicki Minaj and A$AP Rocky.