In November 2013, their new stage adaptation of Little Red Riding Hood opened at Singapore Repertory Theatre directed by Kate Golledge and choreographed by Ashley Nottingham, where it ran for 6 weeks.
[1] In December 2013, The Snow Gorilla – featuring the voice of Brian Blessed – opened for a five-week run at the Rose Theatre, Kingston, for which they wrote music and lyrics.
[2] Their new stage musical adaptation of Sue Townsend's The Secret Diary of Adrian Mole, Aged 13¾ opened at Leicester's Curve Theatre in March 2015.
[8] Jake and Pippa made their cabaret debut at Live at Zedel in September 2018 with a guest cast featuring Olivier Award nominee Rosemary Ashe.
[9] In June 2019, The Secret Diary of Adrian Mole, Aged 13¾ opened at the Ambassadors Theatre in London's West End, directed once again by Luke Sheppard, for a 15-week summer season.
In September 2015, their adaptation of The Secret Diary of Adrian Mole, Aged 13¾ was nominated for Best Show for Children and Young People at Theatre Awards UK.
In December 2017, the Menier Chocolate Factory production of The Secret Diary of Adrian Mole, Aged 13¾ was nominated for the 2017 Evening Standard Award for Best Musical against Follies, School of Rock and Bat Out Of Hell.
Dominic Cavendish in The Daily Telegraph described it as "a delightful, inventive and witty new musical"[13] and Jay Richardson in The Scotsman wrote that "Jet Set Go!
Lyn Gardner in The Guardian wrote that Mole was "a home-grown hit for the Curve... a show constantly paying neat homage to previous British musicals and the traditions of the TV sitcom, and yet always staying distinctive and true to its source material... a quaint, unassuming little charmer.
"[17] Dominic Cavendish in The Telegraph wrote that "this all-singing, all-dancing Mole comes up trumps; in fact, it's so good it could burrow its way to the West End... the evening does that rare thing: it makes you laugh, tugs at your heart-strings and honours the spirit of the original while being playfully inventive... this fresh, funny, stirring spin on a Thatcher-era classic may be around for a long time to come.
"[18] Dominic Maxwell in The Times wrote "it's no small achievement to make this first musical version such a lively, evocative pleasure... amusing and affecting enough to leave you glowing... a thoroughly charming evening: faithful to the book but with a tenderness of its own.