in English, having studied writing under Robert Hazel among his lifelong literary colleagues: Wendell Berry, Ed McClanahan, Gurney Norman, and Bobbie Ann Mason.
In 1960, he received a Stegner Fellowship at Stanford University and shared the historic workshops in which Leaving Cheyenne (Larry McMurtry) and One Flew Over the Cookoo's Nest (Ken Kesey) were being written.
[1] After his first novel, Yates Paul, His Grand Flights, His Tootings (also written in these same workshops) was published to critical acclaim, Hall returned to his roots in photography.
During this time, he became the close colleague of such photographers as Minor White, Richard Benson, and Ralph Eugene Meatyard, was a contributing editor for Aperture, and lectured widely on photography in such places as the Massachusetts Institute of Technology, Rhode Island School of Design, the Visual Studies Workshop, and the Minneapolis Institute of Arts.
[2] In 1973, Hall came back to Lexington to teach at the University of Kentucky and, for the next thirty years, would act as director of the creative writing program.