[1] Juliano-Villani painting's pull from a wide range of references including fashion, photography, illustration, and art history to create hyper-saturated scenes and portraits.
[3] As a daughter of commercial painters, Juliano-Villani spent much of her childhood in her parents silk-screening factory familiarizing herself with 1970s and 1980s graphic design.
"[6]The following year, Juliano-Villani was included in the group show, Puddle, Pothole, Portal, curated by Camille Henrot and Ruba Katrib at SculptureCenter in Queens.
Critic Zoë Lescaze writes that, "In Gone with the Wind (all works 2018), a cartoon fish gluts itself on Coca-Cola while a helpless-looking firefighter floats above burning California.
"[12] Madeline Weisburg and Ian Wallace explain that the "expansive, bright, chaotic, and bawdy" paintings by Juliano-Villani utilize her process of borrowing from "movies, memes, stock photography, art history, and collected printed matter" to "beckon you in.
"[13] Juliano-Villani sources, and was included in a wide range of artists, animators, and illustrators in her work such as Chuck Jones, Marcell Jankovics, Ralph Bakshi, Bernard Szajner, R. Crumb, and more.