[7] Many of his articles and encyclopedia contributions were published in international publications, including Die Musik in Geschichte und Gegenwart.
Venter also critiques Bouws's lack of critical engagement with his subjects, pointing to his short book chapters and preference for factual statements over deeper analysis as evidence of this.
[15] Sandmeier contends that Bouws's research was influenced by political and ideological biases, citing his claim that Charles Etienne Boniface was the first South African composer despite insufficient evidence.
[16] Dippenaar extends this critique to suggest that Bouws's analysis was compromised by his preconceived intentions and ideological perspectives, leading to a distortion of historical facts.
Dippenaar highlights that Bouws's aim to identify “Western ideals” in South Africa may have resulted in an exaggerated assessment of certain historical artifacts and events.