Jan M. Ziolkowski

Jan Ziolkowski (born November 17, 1956) occupies the Arthur Kingsley Porter Professorship of Medieval Latin at Harvard University.

[citation needed] His second book was the editio princeps of Nigel of Canterbury, Miracles of the Virgin Mary, in Verse.

Miracula sancte Dei genitricis Marie, uersifice, which appeared as Toronto Medieval Latin Texts 17 in 1986.

Within a decade he brought into print, again in the first edition ever, the original Latin (with English translations) of additional works by the same poet in Nigel of Canterbury, The Passion of St. Lawrence, Epigrams, and Marginal Poems, Mittellateinische Studien und Texte 14, in 1994.

[citation needed] In English-only volumes, Ziolkowski co-edited The Medieval Craft of Memory: An Anthology of Words and Pictures, with Mary Carruthers in 2002, and translated Letters of Peter Abelard, Beyond the Personal, in 2008.

Between these two books he edited and introduced a translation from the French of a still-classic examination of Medieval Latin metrics by the late Swedish philologist Dag Norberg.

In 2014 he expanded upon that resource with the three volumes of The Virgil Encyclopedia, co-edited with his colleague Richard F. Thomas of Harvard University, published by Wiley-Blackwell.

This book explores the functions that musical notation served in the reception of Classical Latin literature in early medieval schools and education.

These six volumes probe a single story from its first incarnation in a medieval French poem in the early thirteenth century through its later reception from the 1870s down to the present day.

[citation needed] Ziolkowski founded the Dumbarton Oaks Medieval Library[4] and served as its general editor from 2008 through 2020.

"[7] Among his contributions to the history of scholarship, Ziolkowski supplied a new foreword to Literary Language and Its Public by Erich Auerbach when reprinted by Princeton University Press in 1993.

[8] Four years later he provided a fresh introduction to Vergil in the Middle Ages by Domenico Comparetti when it was reissued in paperback by the same press in 1997.