Jan Mandijn

On 20 June 1542 Jan Mandijn, 42 years old and Pieter Aertsen, 34 years old, received a request of the Basque merchant Samson del Barro (Simon del Barco) from Biscay but residing in Antwerp, to quote a price for paintings with subjects from the Bosch repertory, which were apparently destined for the Spanish market.

[2][3] He was the teacher of Jan van der Elburcht, Gillis Mostaert, Bartholomeus Spranger, Aert de Loose, Ambrosius Smidt, Lucas Verschriecken and Jacob Verstraten.

[1] The early biographer Karel van Mander already wrote that Mandijn was good at painting spooky and funny scenes like Hieronymus Bosch.

[1] Mandijn's paintings incorporate the elements typical of Bosch such as hybrid demons composed of various parts of insects, amphibians, reptiles and birds.

[6] The stylistic features of Mandijn's style have been identified in a series of Antwerp 'devil pictures' that have been attributed to him, such as the Temptation of Saint Christopher (Alte Pinakothek in Munich).

Jan Mandijn, Triptych with scenes from the life of Saint Eustace , 1552. Scherpenheuvel-Zichem , Church of Saint Eustace. The city of Zichem commissioned the altarpiece in 1550. [ 3 ]