[3] Artists exhibited include David Amico, David Askevold, Jerry Brane, Kim Hubbard, Louise Lawler, William Leavitt, Richard Prince, Morgan Thomas, Paul Tzanetopoulos, and Christopher Williams.
[6] These sentiments were echoed in Howard Singerman's Artforum review of this same exhibition published three months later but this time Singerman goes a step further to suggest that Askevold's work actually tries to position the Symbolists in relation to Postmodernism because they offer a critique of Modernism, just as Askevold does with his installation "Delville's Visit".
[7] Art critic Hunter Drohojowska reviewed the solo exhibition by Richard Prince for pick of the week, in LA Weekly, discussing how he re–presents images that already exist in the world, much like Pop Art but different in that Prince's images make us feel uncomfortable.
[9] Kathi Norklun reviewed Christopher Williams' work as pick of the week for LA Weekly explaining that the artist created a show that focused on the play between the imagery and the text asking the viewer to draw connections between the two to understand its larger meaning.
[10] Andrea Fraser wrote about Louise Lawler's work and mentioned, in Art in America, how Lawler's work was a representation of institutional critique because she reiterating the name of the gallery, Jancar Kuhlenschmidt, by spelling out each letter of their names in small framed photographs on the gallery wall and nearby she required the gallerists to stand showing photographs of hers from a small portfolio box.