Engaging topics such as memory, migration, borders, and translation, she activates the field where lived experience and embodied knowledge intersect with larger political histories.
www.janejinkaisen.com She represented Korea at the 58th Venice Biennale with the film installation Community of Parting (2019) alongside artists Hwayeon Nam and siren eun young jeong in the exhibition History Has Failed Us, but No Matter curated by Hyunjin Kim.
[citation needed] Her narrative experimental film The Woman, The Orphan, and The Tiger (2010) made in collaboration with Guston Sondin-Kung explores the gendered effects of war and militarism by tracing a genealogy between three generations of women.
[citation needed] Jane Jin Kaisen is the co-founder of the artist unit itinerant with Guston Sondin Kung and together they have organized and curated a series of art exhibitions and events.
She is also co-founder of the artist groups UFOlab (Unidentified Foreign Object Laboratory) with Anna Jin Hwa Borstam, Charlotte Kim Boed, Jette Hye Jin Mortensen and Trine Meesook Gleerup) as well as the artist group Orientity along with Natsue Haji OH, Kimura byol-nathalie lemoine, Adel KsK, Raymond Hahn, Naomi K. Long.