In 1985, Osti moved back to Tahlequah and took the rest of her classes at Northeastern State University.

After finishing her first pottery class and while taking a Cherokee history course, Osti decided to interview Anna Mitchell for a paper.

The images typically convey abstract animals and landscape with symbols of celestial activity, protection, and endurance.

The paddle stamping evokes the ancient traditions of better heat distribution and a more secure hand grip to prevent slippage, while adding immeasurable beauty to an everyday utilitarian object.

[2] Her work, Tall squash pot, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.