She is a professor at San Francisco State University in the Department of Design and Industry, at which she held the position of chair between 2012 and 2015.
[7] Veeder's work marks some of the significant steps that took digital technology into the fine arts, which never had been done previously.
From 1975 until 1977, Veeder pursued her MFA degree at The School of the Art Institute of Chicago (SAIC) where she studied video and filmmaking.
[10][11] After enrolling in the School of the Art Institute of Chicago's MFA program, Veeder began taking film classes.
[4] Veeder's knowledge of photography lead her to experiment with video art, eventually working across multiple program platforms.
These included Bally Home Computer/Arcade, and ZGRASS computer language which was eventually combined with Sandin Image Processor.
The burgeoning professional video game industry in Chicago gave Veeder an outlet to put her theories into practice.
Program #7 was produced as a part of a larger group of videos known as The Electronic Visualization Center: A Television Research Satellite to the School of the Art Institute of Chicago.
Graphics generated using a Bally Home Computer would be overlaid overtop of the video recorded by Veeder and Morton using the Sandin Image Processor.
[16][17] Bustergrid is another 2-Dimensional printed artwork created using computer graphics measuring 21.5 x 28 inches in size, the same dimensions as Bubblespiral[18] One year later in 1983, Veeder only produced one artwork that would be shown at that years SIGGRAPH Art Show, the piece, titled Floater, is a 6:12 minuter long real-time computer generated video piece.