Her work explores challenges faced by diverse groups including the Uighurs, Indonesian sulfur miners and Yemini refugees.
[1] In August, 2024, Biggs presented the video installation "Contra Naturam" at the ICEHOUSE Project Space in Sharon, Connecticut.
The piece, incorporating dancing by Robinson with images of ice boat racing, was created in response to Sharon native William F. Buckley's opinion that the blind should not be exposed to culture or nature.
[1] Her newest work incorporates footage shot by Biggs at refugee camps in Djibouti, in Ethiopian badlands, and at Mars simulations in Utah and the Himalayas.
[8] Beginning in 2020, Biggs, mathematician Agnieszka Międlar, and physicist Daniel Tapia Takaki, who leads the University of Kansas's (KU) team for the ALICE collaboration at CERN's Large Hadron Collider (LHC),[9] collaborated on projects to explore questions in high energy physics, applying novel mathematical techniques to the production of video and performance.
[12][13] This collaborative team went on to create an innovative video installation, titled "Collective Entanglements," which was presented at the Spencer Museum of Art at the University of Kansas (KU) in April, 2022.
While Biggs directed remotely, singer and dancer Mary Esther Carter performed, accompanied by an Artificial intelligence entity named A.I.
"[16] In June 2019, Biggs presented 'Overview Effect', an exhibition of new video work, at the Cristin Tierney Gallery in New York City.
[18] In December, 2018, Biggs had solo exhibitions and film screenings at the Museo de la Naturaleza y el Hombre and the Museum of Science and the Cosmos in the Canary Islands.
[33] In 2015, the Blaffer Art Museum in Houston, Texas, presented Biggs' Echo of the Unknown, a multidimensional exhibition combining video, sound, and objects that explore the role of memory in the construction of identity.
In 2012, Biggs' Arctic Trilogy was screened as part of the Environmental Film Festival at the Hirshhorn Museum and Sculpture Garden (Washington, DC).
[46] The October 2015 Art In America featured an article written by Faye Hirsch on Biggs' work, with a focus on the Blaffer exhibition.