During that time, Albert was a trumpet player, joining Henri Texier's quintet and participating in the beginnings of the Free Jazz movement in Europe.

[2][3] Both Albert and his second wife, Sara Holt, have collaborated on and carried out various public art projects and exhibitions,[4][5] becoming friends with artists such as Meret Oppenheim, Piotr Kowalski and Joan Mitchell.

[7] At the invitation of sculptor Mark di Suvero, he travelled to New York City, the first of many visits to the United States, where he collaborated later with the architect Wylde-Oubrerie on the Miller House[8] in Lexington.

[9] In 1985, Albert joined the Ars Technica Association, connected to the Cité des Sciences et de l'Industrie, uniting philosophers, artists, scientists such as Jean-Marc Levy-Leblond, Piotr Kowalski, Claude Faure, Piero Gilardi and Jean-Claude Mocik, reflecting on the relationship between art and new technologies.

He often relates music and visual art, referring to Edgar Varese, and has collaborated with different composers and musicians as György Ligeti, Steve Lacy, Barney Wilen and François Tusques.

This essay is based on a work achieved by the Docteur Jean Philippe (1862-1931) l'image mentale, évolution et dissolution,[16] and Alfred Korzybski's General semantics.

The basic principle of this sculpture is that to the extent that they could be picked up and transported, these signals could be enlarged, translated into colors and shapes, and show the plant’s decisions.

An Observation Sculpture proposes a summary of this space concentrated, agglomerated and stuck together in a kind of core, like a geometric model of the site’s character.

The design is formed by a set of lines of narrow plates of Carrara marble imbricated in the walls of the surrounding buildings and in the vestiges of a former construction site.

Albert participated to a number of various exhibitions including : Vers une nouvelle architecture, Centre Georges Pompidou, Paris, 1978; Sculpture Nature, Centre d'Arts Plastiques Contemporain, Bordeaux, France,1978; Künstler-Garten, Wissenschaftszentrum, Bonn, Germany, 1979; A la recherche de l'urbanité,[53] Centre Georges Pompidou, Paris, 1980; Actuele Franse Kunst,[54] International Cultureel Centrum, Antwerpen, Belgium, 1982; Pavillon d'Europe, Galerie de Séoul, Seoul, Korea, 1982; Images et imaginaires d'architecture, Centre Georges Pompidou, Paris, 1984; Inventer 89,[55] Grande halle du Parc de la Villette, Paris, 1987; L'art au défi des technosciences?