Jean-Philippe Charbonnier (28 August 1921 – 28 May 2004) was a French photographer whose works typify the humanist impulse in that medium in his homeland of the period after World War II.

He left his hometown to follow Lévin to Lyon, Marseille and Toulon, then went into exile for two years in neutral Switzerland early in the Second World War, where he met with Jean Manevy who instructed him in the art of typography and journalism.

Popular Photography notes that; proof of [Charbonnier's] skill early in his career is shown by his coverage of a public execution during the World War II period.

The drama had a beginning (marching in of the firing squad), a middle (complete with coup de grace), and an end (carting away the corpse in a coffin)—all this before a large crowd of French citizens.

[9] This was the style of the Rapho photo agency owned and run by Raymond Grosset (who took it over from founder Charles Rado after the war), of which Charbonnier became a member along with others of the younger generation of photojournalist, including Jean Dieuzaide, Sabine Weiss and Janine Niepce.

[11] One of his stories for Réalités, published January 1955, in which he employed an objective point of view exposed conditions in a mental hospital that are a valuable document today in gauging the progress of psychiatric treatment (a number of the most powerful images were not published due to the sensitivities of the 1950s),[12] while in 1966 another of his stories, Hélène et Jean, six heures de voyage à travers l'extase et l'angoisse, follows the consequences of drug addiction and overdose.

Charbonnier was active in his promotion of the profession, contributed vigorously to sessions at Les 30 x 40, the Club Photographique de Paris, and in 1970, at the invitation of writer Michel Tournier, he participated in the first Rencontres d'Arles as a guest of honor, and was included in first public evening meeting of three important 'Photographers of the Moment', with Brihat Denis and Jean-Pierre Sudre.