Jean Baptiste Casmiere Breschard

[1] According to the book "America's Longest Run: A History of the Walnut Street Theatre" by Andrew Davis, Breschard specialized in what is called "Roman Standing" riding – balancing on the back of two horses.

He was truly a picture, when dressed in his superb Spanish-lace uniform, white cassimere small-clothes, silk stockings, neat pumps and gold shoe buckles, going through his exercise on two horses.

Breschard, wife of Jean Baptiste, was a premier equestrienne and is described in numerous sources as being one of the early businesswomen in the United States.

[6][7] The portrait currently resides at the National Gallery of Art in Washington, D.C., but is now identified by the NGA as being John Bill Ricketts, another circus performer.

[8] Owing to Stuart's aversion to being cooped up for weeks with a circus, he booked passage on another ship, the Draper, even though its destination was a different American port.

Gilbert Stuart , John Bill Ricketts , National Gallery of Art , 1795–1799. [ 5 ] The painting was previously identified as a portrait of Breschard, the Circus Rider