Her mother calls to her husband, and the little girl explains that she thought the paper was just something she could play with, and she is deeply upset that her brother has gone away.

Wandering in the woods and fields, the child falls down a steep embankment, injures her ankle and lies unconscious.

"[6] In her 1968 memoir, On Reflection, Hayes wrote that Frederick A. Thomson, her director when she appeared with the Columbia Players in Washington, D.C., persuaded her mother to let her perform in a film for Vitagraph Studios, where he had begun working.

Maurice Costello and Florence Turner, who starred as the parents, "joined everyone else, including camera and prop-men, and sat on those long slatted benches drinking hot coffee at dawn.

If the house and surrounding land seemed right, an official hand would wave the caravan to stop and out we'd jump, to steal the view as a background to our plot.

We would hurriedly play a scene on the velvety lawn and in and out of the sycamore trees and hydrangea bushes, and then run before a window was opened and a threatening voice would send us packing.

The intelligence of animals makes a good picture at any time, and when it is utilized in rescuing life, as this one is, the interest is measurably increased.

The misplaced money, the false accusation and the child wandering away to find her brother are all interesting features, but they are in reality but incidents upon which to base the intelligence of the dog.