Zwingenberger has organized art exhibitions and interdisciplinary art programs on the topics of visual perception, hidden images, visual language, environments and cannibalism.
[1] Overall, Zwingenberger has published 41 works in 84 publications in 3 languages and 1,075 library holdings.
[2] Zwingenberger works with several private and public institutions including the Deutsches Museum (Munich), the Palais de Beaux-Arts (Lille), the Galeries nationales du Grand Palais (Paris), the Pavillon de l'Arsenal (Paris), the Fondation Hippocrène (Paris), La Maison Rouge (Paris),[3] me Collectors Room Berlin,[4] Berlin Stiftung Genshagen, Kunsthalle Dominikanerkirche (Osnabrück), 54th Biennale di Venezia (Venice), Moscow Museum of Modern Art, Artfactory (Istanbul), Galerie Priska Pasquer (Cologne), the Antarctic Biennale, The Foundation Agustín Fernández and curated by_vienna 2015.
[6] She has also authored in 2019, Leonardo da Vinci, L’énigme des images published by In Fine Editions d’art in Paris.
Zwingenberger's exhibition L'Homme-Paysage at the Palais des Beaux-Arts de Lille (2006–07) presented an innovative display of works combining human figures with a landscape or environmental setting, reflecting the practice of 15th-century Renaissance artists, but also including more recent creations.