Jessie Catherine Kinsley

A Lasting Spring details Kinsley's experiences growing up in a utopian community and her subsequent life.

[4] Women in the Community held a wide variety of jobs, but they were typically responsible for the mending and sewing, which would have helped Jessie develop her skills from an early age.

[8] Myron was assigned by the newly formed company to supervise the construction and operation of the Oneida Silverplate and Canning factories in Niagara Falls, N.Y.

As Beverley Sanders noted in an article about Kinsley, she went from "chair mats to large wall hangings that resemble traditional tapestries in their subtlety of color, complexity of design and sensuous texture.

Kinsley's braidings are "elaborate, exquisitely colored tapestries...that evoke a fairy-tale world" in the words of one craft historian.

[13] A series of landscapes, Woodlands and To a Green Thought include verses from The Garden by Andrew Marvell, while her piece Shepherd Boy was inspired by William Blake's poem The Lamb.

[18] Kinsley's braiding The Picnic is in the collection at The Ruth and Elmer Wellin Museum of Art at Hamilton College.

[19] Kinsley’s papers, including letters, sketches, and journals, are archived at the Oneida Community Mansion House.

Kinsley was raised in the Oneida Community , a religious utopian group. Pictured in a 1907 postcard is the Oneida Community's former home, the Mansion House.
Street Scene (1938) by Jessie Catherine Kinsley. Oneida Community Mansion House collection.