Jheronimus Bosch—Visions of Genius

Jheronimus Bosch—Visions of Genius (Dutch: Jheronimus Bosch - Visioenen van een genie[1]) was a 2016 art exhibition (13 February until 8 May 2016) at the Noordbrabants Museum in 's-Hertogenbosch, the Netherlands, about the work of Hieronymus Bosch, a native of 's-Hertogenbosch.

[3][4] The Telegraph described the work of curator Charles de Mooij in gathering them as "a feat of stamina and silver-tongued curatorial cunning.

"[4] The exhibition presented Bosch as "a great realist"[4] highlighting the realistically-painted detail in his surreal paintings, backdating the Renaissance in the process since Bosch painted half a century before Vasari published.

[3] The years of intensive research by the Bosch Research and Conservation Project that preceded the exhibition, led scholars to demote two paintings belonging to the Prado, The Cure of Folly and The Temptation of St. Anthony.

[5] However, as a result of the research, the small Temptation of St. Anthony belonging to the Nelson-Atkins Museum of Art in Kansas City, Missouri, long thought to have been painted by a follower, is now regarded as the work of Bosch's own hand.

Death and the Miser , on loan to the exhibition form the National Gallery of Art , DC