Released in 1970, it has been described as an example of "national cinema", using discrete local traditions to build a representation of the Bangladeshi national identity[2][3] Set against the backdrop of the political and social upreveal in East Pakistan (present-day Bangladesh) during the late 1960s, Jibon Theke Neya portrays the struggles and aspirations of the common people in the face of oppression and injustice.

[5] Jibon Theke Neya garnered widespread acclaim for its powerful storytelling, poignant performances, and the director's exceptional execution.

It played a pivotal role in shaping the trajectory of Bangladeshi cinema and became a landmark film in the country's history.

It remains a cultural touchstone, serving as a reminder of the importance of social justice and the enduring spirit of the Bangladeshi people.

The film's legacy endures, and it continues to inspire filmmakers and audiences alike, cementing its place as a timeless classic in Bangladeshi cinema.

[6] According to The Daily Star, the film is considered to be Zahir Raihan's finest work till date.

[7] The film narrates the story of a middle-class family headed by an autocratic elder sister (called Apa).

To end her autocratic rule, Dulabhai marries Anis off to a lady named Sathi without informing Apa.

Sathi and Bithi's elder brother Mr. Anwar is a political activist, who is imprisoned due to his involvement in the freedom movement.

Mr. Anwar is released, and he along with his sisters and their husbands go to the Shaheed Minar to pay tribute to the martyred.

Amjad Hossain later said in an interview with Prothom Alo that he could not write the story as directed by the director as he could not continue making a documentary film about Amanullah Asaduzzaman due to government objections.

[10] Satyajit Ray, Mrinal Sen, Ritwik Ghatak and Tapan Sinha praised the film.