After leaving the army in 1957, he returned to Preston and sought out new writers filtering through to Britain, travelling to Manchester and London to explore those experimental bookshops which stocked the more difficult-to-find ones.
[2][3] In 1964, Burns launched Move, a poetry magazine featuring British and North American writers (including Chris Torrance, Larry Eigner, Lee Harwood, Bill Deemer, Michael Horovitz, Earle Birney, Dave Cunliffe and Tina Morris) which ran for eight issues (it folded in 1968): it was part of the British poetry revival, lauded beyond the traditional audience of middle class intellectuals in London, Oxford and Cambridge.
[citation needed] Burns contributed poetry to many other magazines, and literary reviews and articles to The Guardian, Tribune and New Society.
Perhaps his most important contributions were bringing the world of small poetry magazines to a wider audience through regular reviews and columns, and in particular spreading his knowledge of those lesser known North American writers who he felt deserved greater attention.
When the editor of Palantir poetry magazine (published through Preston Polytechnic) stepped down, Burns took over from issue number 3 in May 1976; this gave him the opportunity to direct attention to writers he felt deserved more support.