Jo-Anne Green

She returned to Boston in 2001, and joined New Radio and Performing Arts, Inc. in 2002: she designed websites, brochures, logos and postcards; and engaged in grant writing and fundraising, among other responsibilities.

She made prints, paintings, artist’s books and installations, many of them grappling with Apartheid, violence, and chronic pain which she suffered for more than thirty years.

[citation needed] Green co-founded Cultural Resistance in 1985,[3] organizing South African art exhibitions and video screenings, and designing and publishing a monthly newsletter, UNCENSORED, with her collaborators Kim Berman and Rachel Weisz.

Cultural Resistance was a project of Fund for a Free South Africa (FreeSA) where she volunteered from 1984-1990, culminating in Nelson Mandela’s visit to Boston.

While at NRPA, Jo-Anne Green also wrote essays that focused on art processes, including Interactivity and Agency in Real-Time Systems.

[8] Turbulence commissioned, exhibited, and archived 356 works that creatively explored the Internet as a site of production and transmission;[9][2] and supported experimentation with distributed real-time multilocation performance events.