Jo Mango

[5][6][7] There she also developed her skills via open mic nights at the Glasgow bar Nice 'n' Sleazy's,[6] and by playing in the National Youth Jazz Orchestra and a folk band named The Old Blind Dogs.

[9][3][10] At this time, Scott named key influences as 'Emiliana Torrini, Stina Nordestam, Bright Eyes, Ben Folds, Bjork, Kate Rusby, quirky indie acoustica'.

[5] The Scotland Herald described Scott's 2013 EP When We Lived in The Crook of a Tree as "[a voice] so hushed and precise, that it sounds as if it were recorded inside your own head".

[16] In the mid-2010s, Scott's work focused on promoting ecological sustainability in music festivals,[17] leading to her EP Wrack Lines,[18][19] and a project called When Tomorrow Becomes Yesterday.

[20] In the years around 2020, Scott was undertaking creative work relating to prisoners' rehabilitation, leading to her EP System Hold,[21][22]: 5 [23]: 9  characterised in The Scotsman as 'featherlight piano balladry with subtle electronic beats' providing 'a chill-out meditation on themes of incarceration, monitoring and suspension of liberty'.