Joe Orlando

Joseph Orlando (April 4, 1927 – December 23, 1998)[1] was an Italian-American illustrator, writer, editor and cartoonist during a lengthy career spanning six decades.

[3] While Orlando was still a student, he drew his first published illustrations, scenes of Mark Twain's The Prince and the Pauper for a high-school textbook.

[1] After his high school graduation, Orlando entered the U.S. Army and was assigned to the military police, doing stockade guard duty, followed by 18 months in Europe.

[1] From Le Havre, France, he was sent to Antwerp, Belgium and then to Germany, where he stenciled boxcars and guarded strategic supplies for the occupation forces.

He entered the comic book field in 1949 when the packager Lloyd Jacquet assigned him to draw for the Catholic-oriented Treasure Chest.

After EC, from 1956 to 1959, he drew Classics Illustrated adaptations, including Ben-Hur, A Tale of Two Cities and Rudyard Kipling's Kim.

[1][6] For Warren Publishing's black-and-white horror comics magazine Creepy, debuting in 1964, Orlando was not only an illustrator but also a story editor on early issues.

This included the creation of art for T-shirts and other licensed products, negotiating with such companies as American Greetings and Topps, working with editor Joey Cavalieri on Looney Tunes Magazine[4] and supervising production of trading cards, Six Flags logos, DC character style guides and other items.

[3][14] Alfredo Alcala, Mar Amongo, Steve Gan, Ernie Chan, Alex Niño, Nestor Redondo, and Gerry Talaoc were some of the Filipino komik artists who would work for DC, particularly in the 1970s and 1980s.

[15] A limited series featuring The Phantom published by DC in 1988 was written by Peter David and drawn by Orlando and Dennis Janke.

[1] Concurrently, he was involved in creating exclusive Mad products for the then-new Warner Brothers Studio Store on Fifth Avenue.

This Joe Orlando page with lettering by Todd Klein was created for Alan Moore and Dave Gibbons 's Watchmen (1987)
Wally Wood 's drawing of Joe Orlando (left) and Wood collaborating on a comics page in the early 1950s