The singles chosen to promote the album were "Voando Pro Pará", "Não Teve Amor" and "Ai Coração".

The album features the song "O Amor de Deus," where she sings with her children, Nathália, Yago and Yasmin: It was wonderful record with them.

[10]During the program É do Pará, live in Belém on November 21, 2015, Joelma sang a snippet of a new song that was to be included on the album.

[citation needed] Jolema recorded two tracks in Spanish to better appeal to an international audience, "Pa'Lante" and "Te Quiero".

[citation needed] Her former band, Banda Calypso, had recorded for a Spanish-language album as early as 2009, but the project had been delayed several times and was ultimately shelved with Joelma's separation from Ximbinha and the breakup of the group.

[11] It is not known if the two songs were from Banda Calypso's cancelled Spanish-language album or composed especially for Joelma's solo career, though the singer stated there were no legal impediments.

[12] The singer had plans to release the album in January 2016, along with clips from "Pa'lante" and "Te Quiero", but was delayed due to her contract with Universal Music Group.

The official version was launched on the singer's Facebook page a week later, on December 9, 2015, and in four hours had already been heard by over 22 thousand people.

[citation needed] Three songs from Joelma were included in the initial repertoire of the tour: "Não Teve Amor", "Ai Coração" and "Voando Pro Pará".

On select dates other songs from the album were performed, such as "Debaixo do Mesmo Céu", "Game Over", "Tua Face" and "O Amor de Deus".

On March 31, 2016, the day of the album's release, Joelma appeared live on Encontro com Fátima Bernardes and performed "Não Teve Amor", "Ai Coração" and "Voando Pro Pará".

On April 10 the singer participated in the program Eliana [pt], talking with the presenter about the album and singing excerpts of new songs.

On April 16 Joelma returned to Programa da Sabrina [pt], where she had announced her departure from Banda Calypso eight months earlier.

Coelho also stated there was an attractive mix of styles, such as arrocha and tecnobrega, and showed much more of Joelma's hand in the melodies than the works of Banda Calypso.