Hebden was left with the responsibility of bringing up his small son and working long hours earning enough to live.
Around 1742, Hebden moved to London, and when composer Thomas Arne enlarged the orchestra at Vauxhall Gardens in 1745, he became the principal cellist and bassoonist.
They gave many concerts at the York Assembly Rooms, which were designed by Richard Boyle, 3rd Earl of Burlington who was a patron to Handel.
It appears that Hebden had greater aspirations for his talent and channeled his creativity in a highly disciplined manner into more serious works.
Subscribers included the Earl and Countess of Burlington as well as other aristocracy; a number of academics and organists; taverns such as The Devil and The Globe in Fleet Street where concerts were held; the actor David Garrick (who produced many of Shakespeare's plays at Drury Lane) and some of the other Vauxhall musicians, including Valentine Snow for whom Handel wrote his famous trumpet solos; several composers including Arne and William Boyce (who both worked for Garrick at Drury Lane, composing music for many of his productions), Giovanni Battista Sammartini and Geminiani.
In 1980, Ruzena Wood, then repertoire consultant for the group Cantilena, had become interested in Hebden after studying his First Sonata for Flute and Keyboard.
They are most influenced by the Italian composer and violinist, Geminiani, a follower of Arcangelo Corelli, who came to England in 1714 and from whom Thomas Arne may have had violin lessons.