After breaking up in 2011, Yasuda went on to start her own solo project; Plvs Vltra, Schulz went on to play in Holy Fuck, and Schmersal reunited with Brainiac to perform live and released cancelled material after nearly 20 years of inactivity.

Lee created a number of percussion sounds for the band playing a "junk kit" including a Radio Flyer wagon, propane tank, and old hubcaps.

After the release of their first studio album Believo!, which was Produced by D. Sardy and signed to his SeeThru Broadcasting label in 1999, Calhoon left the band and was replaced by Toko Yasuda (bass/vocals/keyboard) and Matt Schulz (drums).

SeeThru Broadcasting was initially set to release Enon's upcoming studio album in September 2001, but the label decided to close following the 9/11 attacks in New York.

High Society was generally praised by critics for its showcase of the band's evolving sound, and the addition of Yasuda as a lead singer on most of the album.

Enon also released a self titled EP earlier in the year, containing 7 tracks; most of which were featured on their future compilation, Lost Marbles and Exploded Evidence.

Hocus Pocus received mixed reviews from critics, partially due to its heavy experimentation and disorienting tracklist; although praise was given to Schmersal and Yasuda's vocal and writing collaboration on tracks like "Murder Sounds", and "Starcastic".

[2] While performing with Enon, Schmersal (sometimes accompanied by Yasuda) found himself in demand as a composer for short films, animated programs, bumpers and interstitials, and commercials for clients including Disney, Cartoon Network, MTV and Nickelodeon.

Later in the year, Enon released their fourth and final studio album, Grass Geysers...Carbon Clouds on Touch and Go Records on October 9, 2007.

[5] In a May 2011 interview, after touring with Caribou for a good portion of 2010 and 2011, Schmersal confirmed the band "is pretty much over" with no plans to follow up on Grass Geysers...Carbon Clouds.

The band released the album Daughter of Everything on Merge Records in 2014 which featured guest appearances by Jonathan Hischke (Flying Luttenbachers, Hella, Broken Bells) and fellow Daytonite Robert Pollard (Guided By Voices).

Pitchfork gave the album a 7.2 rating, calling the music "rock‘n’roll rendered on Etch A Sketch...occasionally, you find yourself marveling at an accidental masterpiece.