A practicing artist for over 50 years, he explored issues of politics, sexuality, food, national identity, the grotesque and carnival.
The Arts Council of Great Britain bought a version of 'The Last Chilean Supper',[6] one of the 'lavatory wall smut' paintings derided in the Coventry Evening Telegraph.
[citation needed] Fat: The mortality of the eater and the eaten at the Bath Place Community Venture in Leamington Spa in 2010.
[5] A campaign by The National Museum of Computing (TNMC) resulted in the rediscovery of the painting, by then displayed at the Jam Street Cafe Bar in Whalley Range, Manchester.
[citation needed] After 35 years, Yeadon painted Portrait of a Live WITCH, a second version of the work, for the 5th anniversary of the restoration of computer at the TNMC.