[3] At that time, Wolfson began producing film and video work and computer animation that was shown in the United States and in Europe.
[5] Wolfson's Female Figure (2014) is an animatronic sculpture of a woman dressed in a negligée, thigh-high vinyl boots, and a green half-witch mask covered in dirt marks and scuffs.
Wolfson's Colored Sculpture (2016) was first shown at David Zwirner gallery in New York City and later exhibited at the Tate Modern in London, LUMA Foundation in Arles, and at the Stedelijk Museum, Amsterdam.
The work consists of an animatronic sculptural figure of a boy attached to the ceiling with long chains connected to his head, arm, and leg.
[9] The sculpture's movements - the boy is by turn hoisted up, dropped to the floor, and swung through the air - are timed and regulated by motors built into the ceiling.
[9] Wolfson's immersive 3-D VR work Real Violence was included in the 2017 Whitney Biennial and immediately became the focus of media attention due to the graphic intensity of the acts it portrays.
Wolfson views the work as an expression of “the dark and light sides of the human experience,” from violence and aggression to curiosity and playfulness.
[citation needed] In 2014 a selection of Wolfson's video work was exhibited as part of the 6th Glasgow International, and he participated in 14 Rooms at Art Basel[22] curated by Klaus Biesenbach and Hans Ulrich Obrist.