Data, unlike rock mass, is extremely plastic even to the hand of thought alone, and, in addition, makes itself available to various algebras, conceptual transformations, and comparisons freely.
[1]The novel aural effects, temporal distortions, and open approach to staging in Boehringer's work as often invites comparison with visual artists as with musicians.
Notable in much of Boehringer's live performance is dark humor as expressed through costumes, theatrical devices, and bizarre textural program notes and descriptions of his work, such as "feedback driven yodel triggers presented simultaneously with carnastic arrays".
[4] As one of his alter-egos, Core of the Coalman, Boehringer has shared concerts with some of the most diverse experimental bands and artists including Gowns, Rubber O Cement, Deerhoof, Ikue Mori, Luciano Chessa, Badgerlore, Ramon Sender, Tralphaz, Sixes, the Breezy Days Band, Xome, Jessica Rylan, 0th, Bulbs, and Joshua Churchill[5] to name a few.
His roster of collaborators includes members of D Yellow Swans, Grouper, Marfa and Ne-Af, XBXRX, 16 Bitch Pile Up, Liz Allbee, 7 Year Rabbit Cycle, Miba, Above the Tree, and the Grey Daturas, and with artists as diverse as Tuesday Faust, Paul Baker, Bonnie Banks, and Che Chen.