Jorge Figueroa's childhood and adolescence were spent in Cananea, when the city was considered one of the powerhouses in mining production in northern Mexico, at a time when military supplies from the United States of America increased significantly due to the involvement of this the country in World War II.
[2] In his childhood and during their studies in elementary school he attended in Cananea, the coexistence of Jorge Figueroa with his classmates was overshadowed by the provocations of which was the subject of Indian ancestry, even if that race was no longer evident in physiognomy due to dilution of the mixture.
So, Jorge Figueroa determined in his work a new property for the female figure humanist, contributing to modern humanism new meaning in a social environment characterized by the repeated use of images.
Using techniques such as oil, acrylic, and watercolor, Jorge Figueroa addresses several aesthetic categories around the perception of women as a central theme and semantic features that determine its nature.
Within these categories, the exaltation of the beauty of the female body is the source to introduce the public to their work in living other qualities such as the sublime, fantastic, and even the enigmatic in the hieratic face of women represented.
In the Information Center of Social and Administrative Sciences, belonging to Law, and Management Accounting Schools of the Universidad Autonóma de San Luis Potosí, there are three murals that are meant to make up the whole memory of mankind.
The three-story building houses in each of them a pictorial representation of the history of information and the different ways of collecting, archiving and transmission of it, as well as actors involved in each stage that defined the culture written.