Went to Paris to work for Lupot, Tourte and Vuillaume.
Nevertheless, later followed a very different direction on the basis of what was soon to happen in Paris (D. Peccatte's influence with the "hatchet-shaped" type head).
".....To our list of those affected by the Pajeot concept must also be added Claude Joseph Fonclause and Maire, as well as Nicolas Maline, who worked for Pajeot but who probably studied with Maire.
These three initially followed the Pajeot example, but later in their careers followed very different directions on the basis of what was soon to happen in Paris (the Dominique Peccatte influence).
Even there, though, the Pajeot style had influence, and was in Mirecourt the dominant stylistic influence into the 1840s, surviving until another dramatic sea-change in the late 1850s.