Joseph Ndandarika

Due to McEwen's preference for untrained, pagan artists, Ndandarika hid his training at Serima for many years.

During the mid-1960s he gradually shifted more and more towards sculpting, and would end up in all of McEwen's major exhibitions that made Zimbabwean stone sculpture famous.

This formulation had a major impact in McEwen's marketing of his sculpture, leading him to claim that his sculptors were unleashing the spirit in the stone in the course of their work.

[2] Ndandarika was able to keep selling through the hard times of the 1970s following McEwen's departure from Rhodesia, and during the 1980s Zimbabwean arts revival he was one of the country's most prominent "first generation" sculptors.

[6] One of Ndandarika’s sculptural works, called Telling Secrets, was depicted on a Zimbabwean stamp issued to commemorate Commonwealth Day on 14 March 1983.