According to the known documents, in 1585 he contracted, together with Jerónimo Hernández, to produce an altarpiece for the parish church of Santa María in Arcos de la Frontera (province of Cádiz), taking charge of the side of the epistle.
In 1588 he contracted the collaboration of Diego López Bueno in the carving and architectural adornment; in 1590 he passed the remaining work on to Miguel de Adán.
In 1589 he transferred to Juan de Oviedo the Younger the work on the main altarpiece of the parish church of Azuaga (province of Badajoz), which had been in his charge for a year.
Of the Marian themes so often present in his father's work, the Virgin and Child in the parish church of Beas (province of Huelva) does appear to be his.
In short, the art of Vázquez the Younger is surrounded by numerous doubts and disputable attributions that could either make his work an important continuation of his father's serene and classic style or, on the contrary, an obscure artist with a mannered and unoriginal production, always with the collaboration of numerous helpers who took over the work, and on occasion even the contracts.