As an independent curator, she has organized : “Rosenquist, The Early Pictures” (Gagosian Gallery 1992); “Frank Stella, A Painting Retrospective” ( Reina Sofia, Madrid 1995); “The Pop Image, Print & Multiples” (Marlborough Gallery, New York, 1994);” Frankenthaler, The Woodcuts” (Naples Museum of Art, 2002)”; “The Painted Sculpture of Betty Parsons” (Naples Museum of Art, 2005); “Robert and Ethel Scull, Portrait of a Collection” (Acquavella Galleries 2010);[1][2] “Phoenix, Xu Bing at the Cathedral,” (Cathedral of St. John the Divine, 2014–15); “James Rosenquist, His American Life,” Acquavella Galleries 2018).
In 1999, she established the Blue Heron Press (with Paul Kasmin) which has published etchings and lithographs by Walton Ford and Elliott Puckette.
That same year, she established Deuce II Editions to publish artists’ books and prints.
She is the author of Windows at Tiffany: The Art of Gene Moore (Abrams, 1980);[3][4] American Prints: Process & Proofs, (Harper & Row), 1981;[5]Jasper Johns, 17 Monotypes (ULAE, 1981);[6]Jasper Johns: Prints 1977 – 1981 (Thomas Segal Gallery, 1981); James Rosenquist (Viking, 1985);[7][8] James Rosenquist, The Early Pictures (Rizzoli 1992);[9] The Pop Image: Prints & Multiples, 1994); Helen Frankenthaler, The Woodcuts, (George Brazillier 2002);[10] Robert & Ethel Scull, Portrait of a Collection ( 2010).
In 2014, Deuce II Editions published Xu Bing's four-panel lithograph The Suzhou Landscripts (2003-2013).