Park also felt the challenges from the MAPPA's staff in adapting the series' designs, build the characters, and create the "Domain Expansion" scenes during their production which he stated that it required a lots of detailed discussion with Akutami and Shueisha to enhance their works.
[4] Scriptwriter Hiroshi Seko discussed about the handling of the drama but also the comedic banter between the teenagers, adults, and the cursed spirits in the series which is mostly based on the original materials.
Toho producer Hiroaki Matsutani also revealed the addition of the post-credits shorts "Juju Sanpo", in which an idea from Akutami came up with the draft and later submitting it to the staff.
When discussing about the sound and music, Matsutani originally stated that they assigned Yoshiki Kobayashi as the composer, before its role was eventually given to both Hiroaki Tsutsumi and Yoshimasa Terui.
[10][11][12][c] From episode 3 onwards, the series includes post-credits anime shorts titled "Juju Sanpo" (呪術さんぽ, lit.
[17][18] It ran for two continuous cours and adapted the manga's "Hidden Inventory / Premature Death" and "Shibuya Incident" story arcs.
[19] A compilation film version of the "Hidden Inventory / Premature Death" story arc is set to premiere in Japanese theaters on May 30, 2025.
[36][37] The original soundtrack of the Jujutsu Kaisen anime series is composed by Hiroaki Tsutsumi, Yoshimasa Terui and Alisa Okehazama.
[16] For the second season's first five episodes (covering the "Hidden Inventory / Premature Death" arc), Tatsuya Kitani performed the opening theme "Where Our Blue Is" (青のすみか, Ao no Sumika) lit.
[46] In January 2021, it was revealed that Jujutsu Kaisen was the second most-watched anime series on Crunchyroll in 2020, only second to Black Clover, being watched in 71 countries and territories, including North America, South and Central America, Europe, Middle East and North Africa, Africa, Asia and Oceania.
[52][53] In April 2024, where according to the data compiled by the analyst Miles Atherton, Jujutsu Kaisen had the most social media engagement for the last 30 days in the top anime and network dramas in United States with 11.2 million, ahead of the other top shows including One Piece, Young Sheldon, and Grey's Anatomy.
He added: "Like with Park's previous work, there is a sumptuous amount of splashy, expensive, mo-cap-enabled animation, delivering on the action promised by the comics".
[55] Paul Thomas Chapman of Otaku USA called it a "prime example of average material elevated by excellent execution", adding that it is similar to Bleach and YuYu Hakusho.
Diaz wrote: "Jujutsu Kaisen goes a step further than avoiding gender tropes by presenting a variety of female perspectives.