Julia Mangold

[2] Rooted in the traditions of Minimalism, Mangold's work aligns with the legacy of artists such as Donald Judd and Carl Andre while maintaining a distinct sensitivity to materiality and surface treatment.

[8] By incorporating materials like lead and steel, she introduces a sense of weight and density, yet her compositions maintain an element of delicacy through subtle variations in surface texture and finish.

The repetition of forms and the precision in her craftsmanship echo the minimalist ethos, but her use of oxidized metals and rich patinas lends an organic quality to her otherwise rigid geometric structures.

[5] By presenting minimal forms that are carefully placed, Mangold encourages viewers to actively move around and mentally "fill in" the spaces created by her sculptures, engaging them in a deeper contemplation of the artwork.

Her ability to merge industrial materials with a refined sense of balance and spatial awareness aligns her with both the historical lineage of minimalist art and the evolving interpretations of geometric abstraction in the 21st century.

[13] Mangold's sculptures and reliefs, with their meditative simplicity, invite viewers to engage with form and material in a way that transcends mere visual appreciation, emphasizing a deeper, almost tactile interaction with space and surface.