Creuzet's practice encompasses sculpture, poetry, music, video, and animation and often engages with topics of creolization, migration decolonization, and the complexities of French colonial history.
Creuzet's work is known for retracing African ancestry and commenting on French colonial history using digital avatars and the culture of the Caribbean.
[7] In a notable solo show at the Parisian gallery High Art, Creuzet incorporated a historic newspaper article published in 1976 in Le Monde about a story describing a Parisian dinner at which white attendees were served by Black "boys and girls," the event being described as "the only voodoo temple in Europe"[6] as a point of reference for exoticism prevalent throughout France's colonial history.
In the same Paris show, mixed media works of large blacks heads crafted out of raffia bags were accompanied by Creole singing and beating rhythms.
[8][6] Creuzet, during an interview with Artnet, mentions that some of his sculptures take several years to evolve, and often start as experiments and ideas that need time to come to their full realization.