Fraser is the artistic director of eavesdropping, an experimental music festival in East London,[1] and co-director of all that dust, the record label she founded in 2018 with Mark Knoop and Newton Armstrong.
[citation needed] Initially an oboist, she began her vocal training at the age of 21, combining private lessons with freelance performing.
This project had its first outing at Cafe OTO[13] and subsequent iterations have been programmed by Experimental Sound Studio[14] Chicago, Klangspuren in Schwaz[15] and Bastard Assignments.
[16] Fraser has performed Gerard Grisey’s final work Quatre chants pour franchir le seuil across Europe, including a performance in 2019 with conductor Susanna Mälkki and Scholars of the Karajan Academy at the Berlin Philarmonie as part of Musikfest Berlin, where she "sang the solo part with pathos and a beautifully dark hue".
[17] During a series of summer concerts at Snape Maltings in 2021, Fraser performed a double bill of Samuel Beckett’s Not I and Morton Feldman’s Three Voices.
These commissions include:[23] Other notable world premieres include:[24] Alongside her work on stage, Fraser has delivered masterclasses and taught short courses on contemporary vocal performance or collaborative composition for the Britten-Pears Young Artist Programme, Dartington International Summer School, 'Academie Voix Nouvelles' at Royaumont Abbey, Festival Mixtur, November Music, University of Southampton and Leeds Conservatoire.
[25] In 2023 she launched VOICEBOX, an initiative to support singers wanting to specialise in contemporary vocal performance, delivered in partnership with Britten Pears Arts, City, University of London, sound festival (Aberdeen) and Dartington Music.
[27] Fraser later revised and presented this paper as a keynote speaker at the CREATIE and Mixed Currents conference-festival 2019 at the Royal Conservatoire Antwerp.