He worked with Jean on the mausoleum of Louis XII of France at St-Denis, which occupied his uncle for almost fifteen years from 1516–1531, being especially responsible for the four seated Virtues.
Juste de Juste left a set of twelve small single etched figures (about 195 x 83 mm each; Zerner 6-17) and another set of five larger prints each showing five or six naked male figures forming improbable human pyramids (these about 267 x 205 mm; Zerner 1-5).
Like many Fontainbleau prints, the technical finish of the etching is poor, with many unintended marks and variations in the strength of lines, but the images have an intriguing impact.
An alternative interpretation has been that they refer to an obscure engraver, Jean Viset, about whom little is known except that he worked at Fontainebleau in 1536.
The larger set is often mentioned in the context of works by Henri Matisse culminating in his The Dance (second version) in the Hermitage in St.