For Justuss, Snow worked with producer Marcus Kane in Canada and with Tony Kelly and Laurie Bogin for three-and-a-half-months in Jamaica.

Elektra also planned to "iron out" Snow's visa issues but apparently, were unable to do as he did not tour the United States or Japan to promote the album.

Elena Oumano of Billboard declared, "His nimble tongued rude bwoy DJ persona remains as persuasive as ever in appealing dance tracks like opener "Steadly Woa" and "Mash Up Da Nation."

Snow unfurls nimble-tongued stutters and a heretofore unrevealed gift for intimacy—a mike cuddling singing style with subtlety and chops to match any of today's soul brothers.

"[6] Dmitri Ehlrich of Entertainment Weekly gave Justuss a "B" grade and wrote, "Perhaps the most surprising thing about this album of pop- and rap-tinged dancehall is how credible it is.

While one is tempted to dismiss the Toronto MC as the Vanilla Ice of dancehall, Snow, in fact, has considerable skills: an easygoing flow, a mastery of Jamaican patois, and enough ideas to keep his songs interesting.