Shortly after her father's death, Jutta Vialon registered the home where she had lived with her parents since before the war as a business premises, where she established a small photographic studio which she ran till 1975.
These included a 1958/59 series for the large Klockner Hutte Bremen steel works which had recently been built and commissioned on a site a short distance down-river of the city.
During that period she also produced, between 1957 and 1959, a collection of photographs of the extensive refit and trials phase for the (originally French built) liner, Bremen, newly acquired by Norddeutscher Lloyd.
Her images of the legendary Beat-Club broadcasts capture the emotional intensity redolent of the new spirit and openness to self-expression which were a feature of West German city living in the 1960s and 1970s.
These remained unnoticed in the roof space above her former home till an inquisitive householder found them there and recognised their potential significance, a reaction that was endorsed in 2006 when the collection was accepted for conservation by the city archivist.