Kagbeni is a 2008 Nepali movie, loosely based on W. W. Jacobs's 1902 horror short story The Monkey's Paw.
[3] The name of the movie is taken from a tourist place Kagbeni in the valley of the Kali Gandaki, which is a two-hour trek from Muktinath.
[4] Krishna returns from Malaysia to the village of Kagbeni to meet his childhood friend Ramesh, who runs a small liquor business.
Sometime later, as Krishna takes the monkey's paw in his hand, he loses his balance and falls off the hill in spite of Ramesh's efforts to save him with a rope.
The filmmakers brought high-definition digital cameras from Silicon Imaging, an American company that was just starting out.
Bishnu Gautam of The Rising Nepal joining in the choir, wrote, "It is not easy to bring out an impressive film with new faces, but Bhusan did it brilliantly.
All the three protagonists, Saugat Malla (Ramesh), Deeya Maskey (Tara) and Nima Rumba (Krishna) are new faces but nowhere in Kagbeni are they seen as novices...
Sanjog Rai of The Kathmandu Post, however, was the sole voice in panning the film, suggesting that it "harbingers the end of the digital delusion," elaborating on the trend of putting it "up for sainthood; it's almost as if the masses believe it is a beacon of ingenuity, and that it will single-handedly save Nepali cinema."
His complaints included Quest Entertainment's excessive hype of the film, which had gone for more than a year before the film's release, the sound, which made him jump "even if the scenes were by no means frightening," the editing and the poor adaption, which he writes "hasn't much to sustain anyone's interest besides the naturally gorgeous scenes shot in Kagbeni, Jomsom, Syang and Marpha."
Sano Sansar by music video director Alok Nembang is based on youths in the city and Mission Paisa is an action movie.
Dasdhunga, an investigation-based movie on the mysterious death of Madan Bhandari and Jiv Raj Ashrit in 2050 BS, and 13246, a documentary-cum-movie on the decade-long Maoist conflict in Nepal, followed the trend set by Kagbeni.
The movie collected Rs 40 lacs in its opening week, thus creating a new history in the Nepali cinema industry.