[4] Since 2005 – in cooperation with Michael Bielický – Richter has developed web-based, often interactive projects controlled by real-time data fed from the Internet.
[6] Their solo exhibition LOST (2017) at the Centro de Arte Contemporáneo Wifredo Lam in Havana, Cuba, ended after the second extension.
These images typically depict blurred human figures and are captured in technically degraded environments, often illuminated by backlight.
Along with virtual exhibitions and artworks shown at the Biennale Sevilla,[8] Museum Kunstpalast,[9] Telegrafenamt Vienna,[10] Art Center Nabi Seoul in South Korea,[11] the Künstlerhaus Vienna,[12] the DOX in Prague[13] and the ZKM Museum für Neue Kunst in Karlsruhe.
[17] A retrospective of Richter's work in collaboration with Michael Bielicky was held at the Centro de Arte Contemporáneo Wifredo Lam in Havana, Cuba.
Kamila B. Richter - To Err is Machine, Tokyo III, 2018 (digital error, ink, oil, amber on canvas) (Cut) - Painting (Oil on Canvas).Technically out-dated mobile phones with low-resolution cameras were used to capture the nightlife on the streets of European, Asian, South- and North-American cities.
Kamila B. Richter - Emporium Spirit - Screen stills of data visualization artwork Emporium Spirit
Kamila B. Richter - M-System. The participatory web project M-system offers a simple abstract reality of the Prague subway transportation system wherein an individual trace of participation can be entered to change the otherwise strict map of the subway net collectively..
Data Steel, Colours of Ostrava. Software (Java), projectors, old iron mill
Lost (Version), extract of the Opera Lost Objects, Centro Contemporameo Wifredo Lam, Havana. Software (Flash), projectors, translucent panels
Kamila B. Richter - 0-System. Information gets reduced to a single sign that denotes the presence of information. With each executed choice the selection area shrinks until no space is left for the choice to be made, even though nothing particular has been selected or achieved by the selection process.
