[9] After William's time in college, she went on to work as a teach in non-profit that taught undeserving youth in community centers and shelters.
[9] Kandis Williams' work often explores contemporary critical theory including, but not limited to, racial-nationalism, authority, and eroticism.
[5] Many of these topics draw from her experiences growing up in Baltimore and her time teaching, and she will incorporated it with historic paintings such as The Slav Epic.
In addition, there was a video installation presented on old school monitors, and it shows a dancer working through a dance William's choregraphed.
Large artificial plants are scattered across the gallery, and some leaves are covered in flesh tones to return attention to the body.
She uses photos from archival documentation of Mississippi chain gangs, images from Vintage Magazines, and depictions of Uruguayan tango dancers.
The organization distributes lo-fi activist and academic texts, flyers, posters, pamphlets, and readers as well as offer classes and exhibitions.
The mission statement of the organization is to spread ideas and language, propagate dialogue centering ethics, femme-driven activism, and black scholarship.
Notable works include: Misogynoir, Reparations, Double Consciousness Then and Now, Libidinal Economy, and Faces of the Colonizer.